While Sierra Leoneans monitor themselves against their past the two educationists and curators see a ton in narrating that could be utilized as establishment to situate and foster the youthful in the educational system. There are numerous signs that a massive wealth of Digital Time Capsule teaching method in regard to the standards, items, techniques and institutional game plans existed nevertheless exist in Sierra Leone. Narrators, their accounts and tunes, sayings and questions are as yet significant resources and subjects for native learning and schooling. Oral customs don’t just pass the mores and norms of a general public. They set off to make sense of the world and conduct of individuals in it. Oral practices offer records of how the world started and these creation fantasies are part additionally of the Heavenly Books of the relative multitude of world’s for quite some time laid out religions like Christianity and Islam. Likewise made sense of in symbolic terms is all human conduct where great doesn’t necessarily in every case win over evil.
Stories which don’t rely upon writing thus don’t rely upon proficiency. They can arrive at the local area and their intelligent quality is all itself power, for it works with the elements of stories in friendly guidance, what Leeson (1985) called “passing on the nation’s common thinking and values to the future.” Unfortunately there is a missing connection in Sierra Leone as school going youngsters are very much familiar with the tales of Extraordinary England, the US of America, Canada and Italy to refer to a couple of models yet have barely any insight into their customary stories.
Narrating IN SIERRA LEONE
Sierra Leone includes sixteen (16) ethnic gatherings. The biggest of these is the Mende tracked down in the Southern and Eastern Regions. Close to them in number is the Temne in the North. The third biggest gathering is the Limba, likewise in the Northern Area, trailed by the Kono in the Eastern Territory. There’s the Koranko in the North as well as the Yalunka, Loko, Soso, Madingo and Fula. On the coast, North and South are the Bullom and Sherbro followed by the a lot more modest gatherings of Krim, Vai and Gola, with the Kissi further inland in the Eastern Territory. The Western Region, including Freetown, is more blended in populace, yet is fundamentally the home of the Creole gathering. In this multitude of ethnic gatherings narrating is normal as a component of their way of life.
Ogutu and Roscoe (1974) had this to say regarding narrating in Africa: “The landmass has its own fiction customs; it has the practice of narrating, described orally… the medium through which Africa during the time has uncovered its inner self, showed its kin and engaged itself” (pp. 43-44).
Customary stories in Sierra Leone are seen as epitome of the convictions, customs, ceremonies and designs of society that should be kept up with. Stories work inside society to safeguard adjustment to the acknowledged social standards of progression from one age to another through their part in schooling and the degree to which they reflect culture. Most customary narrators guarantee to infer their specialty through dreams, spirits, and apprenticeship to proficient narrators; others guarantee to gain the workmanship straightforwardly from God while some say they paid to get it. Narrators have the accompanying elements:
• Familiarity with the nearby language and dominance of an extensive variety of jargon for all degrees of crowds;
• Innovativeness and capacity to lay out affinity with their crowds;
• Information on their crowds and their requirements;
• Knowledge of and capacity to allude to their way of life and climate to jazz up their accounts and make them appeal to their crowd;
• Great memory of precise maintenance and portrayal of a huge corpus of material; and
The items in conventional stories can be gathered into:
• Fantasies stories colored with religion, strange notion and conventional convictions particularly about the starting points of humankind and peculiarities;
• Legends-anecdotes about authentic occasions and vital individuals like conflict legends, extraordinary medication men and movement;
• Fiction-nonexistent stories ordered into moral story, tales, dream and illustrations.
These can be additionally grouped by friendly capability or foundation to be specific:
• Political stories-tales about authority and the connection among pioneers and their subjects;
• Clan stories-these uncover the designs, families and networks for example marriage and parentages;
• Religion and gods anecdotes about creation and peculiarities like demise and downpour;
• Moral excellencies stories expected to scorn such indecencies as pride, voracity, robbery, murder, untruthfulness, absurdity and absence of understanding;
• Financial aspects stories that arrangement with work, getting and loaning, innovation and lethargy.
Characters in common customary Sierra Leonean stories range from individuals to creatures, stones, trees, plants, divinities, spirits and birds. These characters are emblematic: Bra hare slyness; turtle astuteness; elephant-respectability; vulture-persistence; lion-boldness and strength; sparrow, parrot and crow-insight; dove favorable luck; insect crafty. Stories are told only for night excitements. Some of the time narrating meetings could be any time with crowds in confidential verandahs, ‘court barries’ or other public spots. Notwithstanding, the conventional setting where twenty to forty individuals sit together around a lamp fuel light or fire around evening time following full time work is finished and food has been cooked and eaten. Narrators are additionally welcome to social capabilities like weddings, entombments, secret society festivities and delegated functions. Tobacco is frequently accommodated without smoking narrating thoughts won’t stream.
Stories go along with tunes; a melody gets going a story; a significant line in a story makes up another story; a saying closes a story; a melody in a story is utilized to awaken audience members or to plan for the approaching peak. Regularly melodies really do welcome cooperation, and audience members become dynamic allies of an ensemble, applauding, coming to falsehoods and jokes of the narrator, who thusly answers the remarks frequently with another story. Melodies are upheld by the thumping of conventional instruments like ‘kaylain’, ‘sira’ ‘seigureh’ and ‘sangba’ (neighborhood drum) to add mood. Narrating crowd is normally dynamic. It catalyzes the stories by unconstrained interjections, inquiries to the storyteller, reverberating of the storyteller’s voice, and participating in the singing of ensembles. For every one of these to happen discipline is kept up with. The crowd is made to chuckle and shout however without imperiling the continuation of the portrayal.
SOCIAL Elements OF Conventional STORIES
Principal is socialization. The telling and tuning in of stories is a social action that unites individuals to partake in imaginative and imaginative undertaking. The event is intended to engage so that individuals could fail to remember the drudgery of day to day existence. Individuals are relocated to a universe of make-conviction. As the portrayal goes through the subtleties of reproducing the made up world the crowd is conveyed along like travelers on a flight. The satisfaction inferred is worked with by the social association of the crowd. The air is for the most part casual with no compulsion or provocation; everybody is on neutral ground paying little mind to orientation and age.
Members get an opportunity to describe and tune in. The circumstance highlights the worth of social participation. The discipline intrinsic in the portrayal is definitely changed to circles of life. Members figure out how to regard others, appreciate individual contrasts in capacities and disposition and have the option to relate in a typical action.
Mental excitement is gotten from narrating. Stories are told and gotten through the ear. The interest they put on the storyteller is to recollect the story and tell it for a potential retelling in future. This is great preparation for the memory. One must be mindful of get the fundamentals of a story and acclimatize it into collection. In this way the psyche should be extremely dynamic to oblige the new information or assortments of what is as of now known. As well as preparing of memory the stories hone basic appreciation. One needs to investigation the message of the account and assesses the occasions related.
Stories are told for the good of their own as well as have significant bits of social guidance to bestow. The moral stories of occasions and characters consider human existence and are a wellspring of learning. In the characters of stories the crowd will see lethargy, sages, quitters, fomenters and the egotistical to refer to however a couple of models. Stories give hints concerning how to respond to them. The stories give rules on what is cherishable. As such they try to change life.
Stories are social records. The way of life of a group is the entirety of their lifestyles which incorporate religion, convictions, customs, rehearses,